independent thoughts on indie rock, alternative, and indie pop music
Nathan Evans Fox's new album Heirloom draws from family history, working-class experience, and life in the modern South. Across twelve songs, the North Carolina-born songwriter blends personal storytelling with observations about faith, community, and the systems that shape the people and places we call home.
Kesha’s new album . (Period) is out now—an intentional, genre-blending release that marks a new era of creative freedom. She brings it to Nashville’s Ascend Amphitheater on July 15 with support from Scissor Sisters and Slayyyter.
With the So L.A. EP, Sarah Taylor provides us with a modern, approachable indie pop album with emotion-centered, storytelling lyrics.
Acclaimed folk-pop band The Accidentals team up with the Kaboom Collective student orchestra on their brilliant new album, Reimagined.
ASHLEY MYLES: TIDES EP | ALBUM REVIEW: Tides by Ashley Myles is everything a debut EP should be as she gives us a taste of what she can do, and leaves us wanting more.
On Possessions, Blushing inspires flashback memories to shoegaze’s prime while injecting enough dreampop haze to allow fans of both genres to enjoy their dreamgaze sound.
On their first studio album in four years, All the Truth That I Can Tell, Dashboard Confessional opens the floodgate of emotion with an infectious record full of angsty contemplation.
Every element on Heather Bond's The Mess We Created comes together seamlessly, making it one of the coolest listens we’ve had in a long time.
Watching a collage and cartoon created version of Villager's Conor O’Brien traversing a dystopian world on foot, through freefall, and riding a seagull through rings of fire says more about the heart of Fever Dreams than 2,000 words could convey in a long-form review
On Enjoy The View, We Were Promised Jetpacks created a spacious album that flows with an art-rock feel, resulting in a beautiful & soothing collection of songs.
