independent thoughts on indie rock, alternative, and indie pop music
SKORTS brought a volatile mix of post-punk tension, jagged indie rock, and physical live energy to The Basement in Nashville, showcasing the kind of restless chemistry that still feels sharpened by underground clubs.
Brigitte Calls Me Baby brought their dramatic, emotionally charged live show to a sold-out crowd at The Basement in Nashville behind songs from Irreversible, showcasing the band’s rich vocal delivery, sharp guitar work, and brooding emotional tension even as their audience has grown well beyond such intimate club-sized rooms.
CMA Fest 2026 returns to Nashville June 4–7 with daytime performances across downtown stages. Artists like The War and Treaty, Dasha, Willow Avalon, and Melissa Etheridge showcase the variety of sounds that let fans curate their own festival experience.
Hinterland 2025’s final day brought perfect weather, a sold-out crowd, and unforgettable performances from Orla Gartland, Wyatt Flores, Sierra Ferrell, Bleachers, Lana Del Rey, and more. From early afternoon rock energy to a late-night set at the Campfire Stage, Sunday closed the festival in spectacular style.
Our first trip to Hinterland Music Festival was worth the miles. Friday brought fierce pop, dreamy indie, and one of the best headlining sets we’ve seen all year. Check out our full recap and photos from day one—featuring Rebecca Black (twice!), Royel Otis, Remi Wolf, Clairo, and Tyler, the Creator.
We don’t usually go in for bold declarations—but something about Girl Tones' set at Brooklyn Bowl demanded it. Read our full review and check out photos from their Nashville homecoming!
Zac Farro brought Operator to life at The Blue Room with a sold-out release show that leaned into rhythm, intention, and a fully formed musical identity.
While Bonnaroo 2025 didn’t go as planned, Thursday delivered a full day of unforgettable music and connection — from bluegrass to bass and everything in between. Here’s what we saw before the skies shut it down.
At Nashville's Hight Watt, Katelyn Tarver balanced vulnerable introspection with growth, empowerment, and resolve. The result was an evening full of sad songs which was a whole lot of fun.
Shadows, whether cast in real life or internally cloaking the soul, can obscure even the brightest lights. They magnify the mystery of the unknown and twist the shape of the familiar. In many ways the shadows blanketing Rose of the West’s recent set at Nashville’s High Watt served as a fitting metaphor for the band... Continue Reading →
