independent thoughts on indie rock, alternative, and indie pop music
SKORTS brought a volatile mix of post-punk tension, jagged indie rock, and physical live energy to The Basement in Nashville, showcasing the kind of restless chemistry that still feels sharpened by underground clubs.
Brigitte Calls Me Baby brought their dramatic, emotionally charged live show to a sold-out crowd at The Basement in Nashville behind songs from Irreversible, showcasing the band’s rich vocal delivery, sharp guitar work, and brooding emotional tension even as their audience has grown well beyond such intimate club-sized rooms.
The Head and the Heart brought their self-titled album anniversary tour to Brooklyn Bowl Nashville for a performance that balanced nostalgia, storytelling, and communal singalongs. Framed by a living room-inspired stage setup and collaborative reflections from multiple band members, the night revisited the group’s early material while also showing how the songs and the people behind them have evolved over the years.
The Head and the Heart play Brooklyn Bowl Nashville on April 29, celebrating the 15th anniversary of their debut album with a rare small-room benefit show.
Tenille Townes brought her Living Room Tour to 3rd & Lindsley for a sold-out album release show just hours before The Acrobat dropped. With a stripped-down setup, rotating guests, and one of the year’s most distinct vocal performances, the night centered on songwriting, empathy, and connection.
Dean Johnson turned a cold Nashville weeknight into a packed, attentive listening room at The Blue Room. With understated arrangements, expressive vocals, and songs that balance surreal storytelling with grounded perspective, the set unfolded with a genuine connection between stage and audience.
