independent thoughts on indie rock, alternative, and indie pop music
SKORTS brought a volatile mix of post-punk tension, jagged indie rock, and physical live energy to The Basement in Nashville, showcasing the kind of restless chemistry that still feels sharpened by underground clubs.
Castle Rat transformed The Pinnacle into a theatrical fantasy realm Sunday night, combining medieval storytelling, towering doom-metal riffs, battles and rituals for one of the most entertaining opening sets we’ve seen in quite some time.
Brigitte Calls Me Baby brought their dramatic, emotionally charged live show to a sold-out crowd at The Basement in Nashville behind songs from Irreversible, showcasing the band’s rich vocal delivery, sharp guitar work, and brooding emotional tension even as their audience has grown well beyond such intimate club-sized rooms.
The Head and the Heart brought their self-titled album anniversary tour to Brooklyn Bowl Nashville for a performance that balanced nostalgia, storytelling, and communal singalongs. Framed by a living room-inspired stage setup and collaborative reflections from multiple band members, the night revisited the group’s early material while also showing how the songs and the people behind them have evolved over the years.
India Ramey discusses Villain Era, the roots of her “gothy-tonk” sound, and the personal themes shaping her upcoming Nashville release week shows at The 5 Spot, The Nashville Palace, and Vinyl Tap ahead of the album’s May 8 release.
Alt-pop band In Color returned to Nashville to close out their first sold-out headline tour at The Basement East, mixing "Snow Day" tracks with new material and a hometown crowd that already knew all the words.
The Head and the Heart play Brooklyn Bowl Nashville on April 29, celebrating the 15th anniversary of their debut album with a rare small-room benefit show.
Tenille Townes brought her Living Room Tour to 3rd & Lindsley for a sold-out album release show just hours before The Acrobat dropped. With a stripped-down setup, rotating guests, and one of the year’s most distinct vocal performances, the night centered on songwriting, empathy, and connection.
Moody Joody brought shimmer-pop and a restless energy to The Basement East during a TONS showcase, opening with the anthemic “Talk Me Down” and closing with a preview of unreleased material from their upcoming album.
Boy Golden delivered a focused opening set at Cannery Hall, blending Americana foundations with a sound that comfortably reaches beyond genre lines.
